Illustration for George Meredith's The Adventures of Harry Richmond. George du Maurier (1834-1896) |
In my youth, George Meredith was one of those novelists you were always going to get to one of these days. There was no hurry. His novels were always sitting, fat and well-bound, on the library shelves. But I never did get around to him. A couple days ago until I happened to pick up Chesterton's little book on Victorian literature -- sheer happenstance: my eye had fallen on it at the library when I was looking for something else -- and there was Meredith, ranked beside, if not above, Thomas Hardy. Huh, I thought. I'll read a Meredith novel. After poking about a little I settled on Harry Richmond, and went to the library website to slap a hold on it: that's the usual way I obtain books these days. To my astonishment, they held exactly one Meredith novel -- The Egoist -- and that was that. The solidity and permanence of Meredith was a mirage, a trick of the light.
I was piqued, rather than discouraged, and went off to Gutenberg. Sure enough, plenty of Meredith there, although apparently not much in demand. So now I'm eight chapters in to Harry Richmond. It's interesting, so far -- well worth reading, and it casts oblique lights forward and back. Many of us young men are in a similar plight, I often think: raised to princely expectations, groomed for monarchy, and then rudely thrown into the world as ordinary people after all.
I wonder why Meredith fell? So many mysteries.
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