As sone as evere the sonne gynneth weste,
To seen this flour, how it wol go to reste,
For fere of nyght, so hateth she derknesse.
--Chaucer, Prologue to the Legend of Good Women.
I still don't know how flowers go to rest,
how they draw petal over petal, as might
a man pull on his wretched coat at five;
I still don't know what muscles they contract,
or how they know that dusk has settled in.
I still don't even know what aim is served:
from what night ravening brutality
do they imagine that they save themselves?
But I do know how they feel when the dark
is drifting over lawn and field, and when
such beauty as they have is spread too wide;
each tender raw integument withdraws
and looks for shelter under every other;
each eye desires a curtain and a close.
a man pull on his wretched coat at five;
I still don't know what muscles they contract,
or how they know that dusk has settled in.
I still don't even know what aim is served:
from what night ravening brutality
do they imagine that they save themselves?
But I do know how they feel when the dark
is drifting over lawn and field, and when
such beauty as they have is spread too wide;
each tender raw integument withdraws
and looks for shelter under every other;
each eye desires a curtain and a close.
4 comments:
Oh, I have been too, too busy of late. And have missed Moledom. This is lovely. As is the Chaucer-inspiration: "To seen this flour, how it wol go to rest, / For fere of nyght."
Thinking of Blake, the large and small together: To create a little flower is the labour of ages.
Indeed it is sad and lovely.
Tender, honest, and beautiful--and a wise use of unrhymed pentameter.
Damned fine work Dale. And you once called me the mystic.
Perhaps you will come visit us in new zealand some time.
=John=
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