down from the hills, down from the down. Lift me up on the rocking roses
all rock-roses,
false supposes;
lift me up
and carry me out to see the sea.
The bank has crumbled, the cliff’s edge edges
air where the sea steps used to be; a moon’s bite out of the asphalt shows
the etiquette of gods at tea
isn’t what it used to be.
Lift me up
and carry me out to see the sea.
This year a dead zone out at sea: bronze fields like hammered shields
and each dint pried by the sea-sun yields
algae red as spattered blood
algae read as battered mud.
Lift me up
and carry me out to see the sea.
There was a restaurant in a little house, with surfboards dangling up above:
chowder and beer and cheese on toast, a waitress bronzed as this year’s sea
from years of summer waitressing,
years of wading in the surf,
years of surfing in the rain;
she used to admire
the doting lovers we used to be.
Old now, we stop. The windows are boarded over;
the clay toppled down to the golden sea,
the steps fallen down all the way to the beach,
the roses tumbled out of reach.
Closed for the season. Leave off asking
Reasons for this or that or each
And carry me out to see the sea.
4 comments:
I roll several different beach-trip disappointments into one which has actually nothing to do with present reality, except that of course it has everything to do with present reality. There was once a little restaurant that was unexpectedly closed; there was once a set of steps that fell down onto the beach; there was once a dead zone and/or red tide that turned the sea a weird dirty gold color. But not all at the same time. And though we went there every year for... thirty? forty? years, we haven't been there since the before times. So don't believe everything a poet says.
This should be set to music. I love it.
I agree
The rhythm
Thanks! Inventing melody is an art that's beyond me, I'm afraid. I have no idea how people do it.
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