In the morning I lie on the little Persian carpet in the wreck room and do my back exercises. Sometimes I think of the person who gave the carpet to us: exactly flying-carpet size, perfect for its job, remote from the place (Olympia) and time (our wedding, in 1981) when it arrived. The giver, with her perfectly ungoogle-able name, has vanished from our life. She was a poet. I wonder if she is still.
Anyway, I lie there and lay my hands on the hips and ribs and musculature that is surfacing as the flesh subsides. I guess I didn't yet do any resistance training the last time I weighed this little, because the body emerging is unrecognizable, supplied with ropes of hard muscle under the loosening skin. I dwindle, I become smaller, also I come into focus. It's pleasing, a little disquieting. I also am nearly sixty now, which becomes more apparent too. I am becoming healthier, lighter, more vigorous: or I am drying up, withering, and scabbing over. There is a second transition behind the present one, and it's easier to see now too. An old man looks thoughtfully at me from the mirror, sometimes.
Fall comes with a rattle and a sigh, and in daytime the yellow leaves are brilliant in the sun, at least for now. This morning, this world. Halloween comes, trying unsuccessfully to replace the meditative quiet of October with more easily confronted, store-bought fears. No. The night is not scary because of creepy-crawlies or animated corpses: it's scary because it's large and old and still, and the same stars that looked down on Alfred in the Fens look down on my battered Honda in the drive.
I am totally on the side of the night, now: totally a partisan of October, the old October, the October without masks.