Now this is Spring: the deep dark and the long steady rain.
No hint of morning yet: somewhere above the clouds the sky must be changing color, but no sign of it here below. The rain is soft but persistent; the parking lot of Tosi's glimmers, shimmies. Each raindrop, as it strikes, is a vanishing pixel, catching streetlight or traffic light or headlight: the whole surface wavers like an old tv screen. Beyond, the cars kick up wakes of spray behind, and cast beams of lighted droplets forward.
In the cafe, people talk quietly. It's slow: Jimmy comes out from the kitchen and perches at the booth of the old-timers by the window. The radio plays softly, some old song about longing to go out dancing.
As I've been writing, the sky has imperceptibly lightened. At least I suppose so: the doug firs have darkened -- their black sillouettes are clear now against the sky.
And now a tide of blue-gray light is slowly washing in, from everywhere and nowhere. Morning. The rain patters on, the parking lot gleams as before, but you can sense that somewhere the gods are waking, that restless intelligences are abroad now. Intention is washing into the world with the light. People have plans, ambitions, agendas. All over the city they're jolting awake with alarm clocks, launching themselves out of bed, shaving, applying makeup, running over their daily list of fears and hopes for the day, reminding themselves of appointments, tasks undone, disputes unsettled.
I say I'm a morning person, but it's not this moment of the morning that I belong to. It's the moment before this one, when the doug firs first pick themselves out against the paling sky. I have nothing to do with the frantic preparation of faces, and I want nothing to do with it. Let them go and fight their battles. There's nothing I want out there. I want the touch of your hand, the slow sleepy bright smile, the pools of lamplight, the gradual wash of cloudlight.
Good morning. Good morning, dear.